Author: Libba Bray
Series: The Diviners
Rating: 5 stars
It was only meant to be a harmless brag, a little showing off at a party after she had a few drinks too many. But when Evie O’Neill proves to everyone that she has a psychic power – the ability to see a person’s memories by holding an object of theirs – she lands in one hell of a mess. Accidentally accusing the son of a wealthy and powerful family of knocking up a maid means Evie better skip town for a while, until the heat dies down. She is thrilled when her parents suggests that she stay with her uncle Will in fabulous New York City, and just knows that this will be her chance to find her way to stardom. Even if it does mean working at Will’s freaky museum, dedicated to the Supernatural and the Occult.
But a string of ritualistic murders leaves the city in terror, the police ask Will to help and Evie is determined to tag along. With her and Jericho – Will’s quiet but strong assistant – to help, Evie knows that not only will they stop the killer, but that she is sure to end up on the front page. That’s if she can stay alive first…
I will confess that I haven’t read many fantasy or Young Adult books set in the 1920’s (in fact, none others come to mind), but after finishing The Diviners this is something I strive to change, in the hopes that they are as good as Libba Bray’s wonderful book. The Diviners is a somewhat deceptive book, in that it starts in a fairly mild manner: the focus is on Evie and her hopes and dreams as she moves to New York. We are shown the paranormal talent that Evie possesses in being able to read a person’s history from a beloved item as way of explanation as to what trouble she caused that ended up with her having to hide out in New York until things calmed down at home, but this is almost forgotten about in nearly the first half of the book. Never fear though, for instead we are treaded to the gilts and glamour of the Big Apple. The level of descriptions and detail in this book is amazing – clearly there has been a lot of research put into it – and I believe it all pays off big time. As the story progresses tension grows as a serial killer attacks taking pieces of his victims and leaving behind pieces of scriptures about ‘offerings’, the whole book becoming decidedly creepier and brilliantly scary. We also get glimpses of other people with talents similar to Evie’s, teasing hints of bigger things out there in the world of this story, which sadly won’t be further explored until the rest of the series.
The other great thing about The Diviners is the number of varied and complex character there are. No-one is 2D in this story, and some you might at first dismiss as ‘shallow’ or ‘ignorant’ but when you learn about their past, you see them in a whole new life, and can’t help but love them. One of the most moving back stories for me was that of Thata, who may seem a stereotypical flapper at first but who has a past so dark it’s like a punch to the gut to read (but then again, some of the best writing is like that). I also loved the budding romance between her and Memphis, which was just plain sweet. It is also a great example of a romance that has instant attraction and chemistry but is definitely not the dreaded intsa-love. Instead, it’s a slow but powerful burn that just makes you happy for both characters. Evie herself is testament to Libba Bray’s excellent writing. She starts off as a bit of a brat: she got into a lot of trouble by getting very drunk and showing of her special talent, but clearly hasn’t learnt her lesson as she continues to drink, and is always dying to be the centre of attention. But as we read, Evie grows, slowly but surely. We see her naivety as she is pick-pocketed virtually the moment she steps of the train into New York. We she her brave spirit as she confronts the thief a few days later. We see her kindness and love for her friends and her uncle as she adjusts to life in the city, helping to get her uncle’s museum more business (albeit in her own misguided way), tries to break her best friend Mabel out of her shell and out of her mother’s shadow, and adopts Thata into their friendship straight away. Evie reviles herself to be a much more complex character, and although we don’t get a full backstory from her, the pieces we see are just as heart-wrentching as all the others, and her need to be in the spotlight (her need to be loved) becomes clear. She is definitely a character that grows on you, without changing who she is.
My only (very minor) criticism of this book is that the narration has a tendency to jump from character to character within the same scene, sometimes even within the same paragraph. This can make it hard to keep track of who’s POV we are following. In particular it made Thata and Memphis’ first meeting a little confusing as the text refers to Thata by name but it’s only at the end of the scene Memphis actually learns her name.
Bottom line, I loved this book. And so begins the long arduous wait for the sequel.